Love has
no place,
it is a way
of life
(Luigi Verdi)
Love has
Love has no place,
it is a way of life
(Luigi Verdi)
On Stage
Director
Training
Let yourself be guided by the child you have been
(Josè Saramago)
a work oriented on the poetry of the body, that is, on its intelligence, its ability to “think” through acting without an initial support of the mind what is called “Embodied Cognition” by neuroscience and that in theater pedagogy has been addressed over the years especially by Jerzi Grotowski first and Eugenio Barba later.
A method that accompanies the actor slowly to marvel at an autonomous expressiveness of his body, without direct mental control decision-making, communicating with gesture what is beyond words, thus assuming an ‘important stage presence and an improvement in personal creativity in general.
METHODOLOGY: Grotowski; Barba; Decroux; Commedia dell’Arte; Feldenkrais
Training of body awareness and expressiveness techniques
Breathing and body relaxation
Elements of Body Mime
Theatrical Pedagogy (creativity games and actions)
Reading and expression of gestures
Theoretical elements of theatrical thinking (particularly on the 900′)
Improvisation
a work oriented on the poetry of the body, that is, on its intelligence, its ability to “think” through acting without an initial support of the mind
what is called “Embodied Cognition” by neuroscience and that in theater pedagogy has been addressed over the years especially by Jerzi Grotwoski first and Eugenio Barba later.
A method that accompanies the actor slowly to marvel at an autonomous expressiveness of his body, without direct mental control decision-making, communicating with gesture what is
beyond words, thus assuming an ‘important stage presence and an improvement in personal creativity in general.
METHODOLOGY: Grotowski; Barba; Decroux; Commedia dell’Arte; Feldenkrais
Training of body awareness and expressiveness techniques
Breathing and body relaxation – Elements of Body Mime
Theatrical Pedagogy (creativity games and actions) – Reading and expression of gestures
Theoretical elements of theatrical thinking (particularly on the 900′) – Improvisation
A liturgy
of beauty
a personal need first of all, where to inhabit one’s feelings, one’s emotions, to feel one’s own scent that is made of silences, glances, desires…, is first of all this, the proposed theatrical path, to offer space to what cannot be said with words and to leave it to the body, to that “movement of the soul” as defined by François Delsarte, to tell…
