These were the elements found from the relationship with the intended space that we had to adapt for staging. Out of this condition of circularity came an opportunity for creativity. The ‘directorial idea developed through the scenic layout of “an ‘island,” (associated with the setting of the Mexican Caribbean places), returned a scenic movement of continuous different perspective, which was not dictated by a revolving practicable but rather, by the movement of the different actions, rendered at times even at the same time of several presences, resulting in the spectators’ choice of what to look at, also positioned in a circular way, being able to accommodate also in the perspective the orchestral presence.
A context of enjoyment that embraced the lively and vivacious spirit of this Opera, where music was at the “center,” that is, the dry land on which to land

Director: Luca Mazzei e Christian Rivero Ramirez
Musical Direction: Alejandro Pinzòn
Set Design: Gabriel Mendoza
Lighting: Christian Rivero Ramirez
Costumes: Marco Antonio Rivero

Conte Alberto: Antonio Albores
Berenice: Dorela Cela
Don Parmenione: Josuè Ceròn
Martino: Pedro Carrillo
Ernestina: Wendy Carrillo
Don Eusebio: Christian Ibarra